1 day symposium + afterparty
1 day symposium + afterparty
24th October 2026, Athens
24th October 2026, Athens
Tickets
Tickets


Thanasis Moutsopoulos
Thanasis Moutsopoulos
NO FUTURE: A Genealogy
NO FUTURE: A Genealogy
Over the final three decades of the last century, the utopian imagination was gradually overturned and replaced by the dystopian imagination. For many reasons—and this has been noted by numerous thinkers across continental Europe, Britain, and the US—the year 1977 can be viewed as a turning point: it was the year the punk movement exploded, and its cry of "No Future" proved to be a self-fulfilling prophecy that has gradually engulfed the world. Artistic imagination, particularly since September 11, 2001, seems unable to escape the realm of fear and despair. Will we ever find a path beyond the boundaries of the Dystopian Kingdom?
Over the final three decades of the last century, the utopian imagination was gradually overturned and replaced by the dystopian imagination. For many reasons—and this has been noted by numerous thinkers across continental Europe, Britain, and the US—the year 1977 can be viewed as a turning point: it was the year the punk movement exploded, and its cry of "No Future" proved to be a self-fulfilling prophecy that has gradually engulfed the world. Artistic imagination, particularly since September 11, 2001, seems unable to escape the realm of fear and despair. Will we ever find a path beyond the boundaries of the Dystopian Kingdom?

1996 print advertisement for TIAA-CREF

The Day After Tomorrow by Robert A. Heinlein, published by Signet Books in 1951
Biography
Biography
Thanasis is an Associate Professor of History of Art and Cultural Theory, School of Architecture, Technical University of Crete. He studied at the National Technical University. Master of Design Studies, Harvard University, PhD NTUA. PhD N.T.U.A. Adj. assistant professor at the Department of Architecture, University of Patras, Greece (2000-2005). Adj. assistant professor at the Department of Architecture, University of Patras, Greece (2000-2005). Adj. assistant professor at the School of Architecture, National Technical University of Athens, Greece (2005-2007). He teaches History and Theory of Art and Culture at the School of Architecture, TUC. Collaborated with many reviews (Mute, Archis,…) He was appointed commissioner for the Greek Pavilion (“Athens 2002: Absolut Realism”) at the Venice Biennale of Architecture (2002). He was the artistic director for the Photosyngyria exhibition, an international photography event in Thessaloniki, Greece (February 2005) and Visual Arts in Greece 2005 at the Contemporary Art Museum in Thessaloniki. He curated a great number of group shows in several museums in Greece and has published numerous books on Art, Culture, Underground and Countercultural Art and, specifically, Street Art. Recent international publications: Red Utopia: North Korea (author) and On Cultural Influence (ed. Steven rand, Heather Kouris), Surface: Digital Materiality and the New Relation between Depth and Surface, EEAE Transactions on Architectural Education no 48 (ed. N. Patsavos, Y. Zavoleas). His latest books are Not Exactly Art: the over-inflation of the cultural phenomenon (2021, greek language) and I did it first. Copying, reproduction, transformation, and the eclipse of meaning (2026, Greek language)
Thanasis is an Associate Professor of History of Art and Cultural Theory, School of Architecture, Technical University of Crete. He studied at the National Technical University. Master of Design Studies, Harvard University, PhD NTUA. PhD N.T.U.A. Adj. assistant professor at the Department of Architecture, University of Patras, Greece (2000-2005). Adj. assistant professor at the Department of Architecture, University of Patras, Greece (2000-2005). Adj. assistant professor at the School of Architecture, National Technical University of Athens, Greece (2005-2007). He teaches History and Theory of Art and Culture at the School of Architecture, TUC. Collaborated with many reviews (Mute, Archis,…) He was appointed commissioner for the Greek Pavilion (“Athens 2002: Absolut Realism”) at the Venice Biennale of Architecture (2002). He was the artistic director for the Photosyngyria exhibition, an international photography event in Thessaloniki, Greece (February 2005) and Visual Arts in Greece 2005 at the Contemporary Art Museum in Thessaloniki. He curated a great number of group shows in several museums in Greece and has published numerous books on Art, Culture, Underground and Countercultural Art and, specifically, Street Art. Recent international publications: Red Utopia: North Korea (author) and On Cultural Influence (ed. Steven rand, Heather Kouris), Surface: Digital Materiality and the New Relation between Depth and Surface, EEAE Transactions on Architectural Education no 48 (ed. N. Patsavos, Y. Zavoleas). His latest books are Not Exactly Art: the over-inflation of the cultural phenomenon (2021, greek language) and I did it first. Copying, reproduction, transformation, and the eclipse of meaning (2026, Greek language)


1 day symposium + afterparty
24th October 2026, Athens
24th October 2026, Athens
Tickets
Tickets